I had been at Duwayne Burnside’s birthday event at the Blues Shack earlier in the evening, and he had mentioned that drummer Kent Kimbrough was also having a birthday party at Junior’s Juke Joint #2 in Holly Springs, so when Duwayne’s event seemed to be calming down, I drove back to Holly Springs to check out the other event. Junior’s Juke Joint was clearly packed to the rafters, and I had trouble finding a place to park. A rather loud argument was going on in the parking lot when I arrived, but I went on inside, where a DJ was spinning blues and southern soul. At one point, a singer named Benny Moore got up to perform, and the club’s house band, known as the Holly Springs Rhythm Section, backed him up. Although I had not heard of him before, he was a decent singer. After his performance, with the DJ providing the music, a woman who said she was one of the late R. L. Burnside’s daughters pulled me onto the dance floor. I’m not a dancer by any means, but it was fun anyway.
Hill Country blues legend Duwayne Burnside was celebrating his birthday with a party and bonfire at the Blues Shack in Waterford, Mississippi, so I decided to go down. Unfortunately, it was the coldest night so far of the year, and the turnout wasn’t nearly as large as I had expected, mostly close friends and family, but Duwayne and his brother Garry Burnside were glad to see me. At previous Blues Shack events, people tended to hang out near the stage, but at this one, people kept around the bonfire for obvious reason, except for the younger kids, who were running all around. An old harmonica player was on stage, playing with one of the younger boys on drums. After awhile, I headed back to Holly Springs because Kent Kimbrough was also celebrating his birthday at Junior’s Juke Joint #2.
My homeboy Otis Logan invited me to a 4 Soul Band rehearsal that was being held on a Tuesday night in downtown Memphis in the upstairs of an old warehouse. As it turned out, the 4 Soul Band was backing up an up-and-coming R & B group called Offici8l, which had been featured on the TV show the X-Factor. They were getting ready for an out-of-town show on the weekend, and I was able to get some good video footage of Otis Logan on drums, the 4 Soul band, and Offici8l as well.
Wednesday night is not usually a big entertainment night in Memphis, but on October 29, many of Memphis’ best industry figures came together at Purple Haze downtown to celebrate the release of veteran rapper Frayser Boy’s new album Not No Moe on the Phixieous label. Frayser’s own DJ Bay was on the ones and twos, and Tune C, DJ Zirk, Miscellaneous,Carlos Sargent, DJ Care Bear, Lil Wyte, Snootie Wild, Jason Da Hater,Suavo J, Louis Goggins of the Memphis Flyer and Lawrence “Boo” Mitchell of the Recording Academy and Royal Studios were among the attendees. Frayser Boy, Lil Wyte and Miscellaneous performed a few songs from the album toward the end of the night, and the event was all love, fun and food.
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When Memphis rapper Tune C and I headed downtown for the album release party for Frayser Boy’s new album Not No Moe, we heard a drumline playing on Beale Street. There had been a Grizzlies game in the FedEx Forum, so at first I thought it was the Grizzline drummers, but the beats they were playing didn’t quite sound right for that. As it turned out, it was just a random line of local youths, playing a very funky series of cadences indeed. Such drumlines had been common on Beale during its first ten years or so, when there were no barricades or ID checks, and buskers were common along the street, but this was the first time I had seen such drummers on Beale in nearly 20 years. It felt (and sounded) good.
The final act to appear on the River Arts Fest’s Webster Avenue Stage was Memphis’ only local dub band, the Chinese Connection Dub Embassy, or CCDE. Like 4 Soul, the CCDE has occasionally backed up local rappers, but for the most part, these musicians have chosen the harder path of upholding the banner for dub music and reggae music in a city where these style are not particularly popular. Nevertheless, they are always a crowd-pleaser, whether calling out oppressors on songs like “Tyrant” or spreading the feel-good vibes on their single “Heavy Meditation.” Perhaps the band’s most unique attribute is their ability to see the reggae potential in the most unlikely of songs, such as Norwegian band A-Ha’s “Take Me On.” The Chinese Connection Dub Embassy closed out Saturday’s River Arts Fest on a high note.
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Tyke T was already an up-and-coming Memphis rapper when the local radio station K-97 proclaimed him the “Next Big Thing” after he won a contest they sponsored. Since then, he has been to New York and several other places for concerts, and although he might not be nationally known yet, he is part of a growing movement of Memphis rappers who seem to be more positive, more upbeat and more lyrical. He is also part of a growing local trend to rap with live musicians instead of just recorded tracks or a DJ, and for his performance at the River Arts Festival, he chose one of Memphis’ best up-and-coming bands, 4 Soul to back him, along with live singers, and guest appearances from other Memphis rappers such as Li’l Cam and S.O.U.L. Altogether it was a rap performance that could appeal even to people who don’t usually like rap, and that was probably precisely the point. Tyke’s lyrics avoid the negative tendency of the local artists that lean more to the gangsta style, and the live band gives him an appeal to those whose musical preferences lean toward other genres.
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One of the awesome things about Black college football is that the football battle on the field is matched by a battle between the two bands in the stands. This is especially true when the bands are two of the best in the Southwestern Athletic Conference (SWAC), such as Grambling’s World-Famed Marching Band and Pine Bluff’s Marching Musical Machine of the Mid-South. Not only did the bands battle back and forth during the course of the afternoon, but the various instrumental sections did as well, particularly Grambling’s Chocolate Thunder drumline and Pine Bluff’s K.R.A.N.K. drumline. The weather was beautiful as well, and Grambling’s much-improved football team had no trouble demolishing Pine Bluff, no small feat considering that last year’s Grambling team did not win a game.
Homecoming Day at Grambling State University always begins early, with a parade through the town of Grambling that begins at 9 in the morning. People start lining up earlier than that, hoping to reserve a good spot to see the bands, majorettes, drummers and floats. By tradition, the Grambling State University Marching Band always comes first, followed by the Grambling High School band, and then there are always a number of bands from various parts of Louisiana and Texas, floats from various campus and town organizations, majorette squads and classic cars and vehicles. The largest and densest crowd is always in the center of campus between the McCall Dining Hall and the Favrot Student Union, and the parade route usually ends at Central Avenue and Ralph Waldo Emerson Jones Drive. This year, on a hill near that intersection, two bands from Shreveport, Fair Park and Booker T. Washington got into a band battle after the parade had ended. Although there seem to be fewer bands these days, the parade is still a lot of fun.
For a Memphian, perhaps the high point of the Pimp C Memorial Concert at A3C was the appearance of Eightball & MJG, one of Memphis’ original rap acts, and one that is still among the city’s best-known and admired. Appropriately, they performed their best-loved songs, including “Pimps”, “Mr. Big” and “Lay It Down.” As Memphians who had relocated to Houston, Ball & MJG had crossed paths with Pimp C and Bun B early in their careers, and expressed their admiration for Pimp C during their performance in Atlanta on Saturday night.
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