@TheBoKeys with Percy Wiggins and @TheeJohnNemeth @JohnNemethMusic at @StaxMuseum @StaxRecords

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Memphis contemporary soul band The Bo-Keys have been actively involved in preserving the unique legacy of Memphis soul music, and are an annual featured act at the Soulsville Street Festival in April. They frequently appear with soul singer Percy Wiggins on vocals, and they began their set at Stax to the Max with him this year before blues singer John Nemeth (who recently cut a new album in Memphis) came on stage to perform some of the songs from his latest release.

Hi Rhythm, @ALKaponeMem, the Grifters and More at @indiememphis Music Showcase

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Indie Memphis is one of Memphis’ two annual film festivals (On Location: Memphis is the other), and this past weekend, a party was held at Kris Kourdouvelis’ Warehouse in honor of the indie film Meanwhile in Memphis which was debuted at this year’s festival. The party opened with the amazing Hi Rhythm band, featuring Teenie Hodges on guitar, a female vocalist named Lisa B. and soul veteran Percy Wiggins. Memphis rap icon Al Kapone followed with his live band, his hypeman Tune C and his son/DJ Young AJ. Behind him came Hope Clayburn and the Soul Scrimmage, and a reunion show for Shangri-La Records artists The Grifters. Altogether it was a fun evening of Memphis music.

Hi Rhythm Featuring Percy Wiggins Performs at the Stages on Sixth @SXSW 2013

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Although the Hi Records imprint is forever associated with Willie Mitchell and his legacy of Memphis soul, the label didn’t start out that way at all. Begun by a group of investors that included Pop Tunes owner Joe Cuoghi (the “Hi” name seems to have come from the last two letters of Cuoghi’s name), the label focused on recording the kind of country and rockabilly that had brought success to other Memphis labels such as Sun, Moon and Fernwood. Instrumental hits by the Bill Black Combo kept the label going in this fashion until the first soul and blues recordings appeared in the mid-1960’s. Willie Mitchell became a producer at Hi after the demise of Ruben Cherry’s Home of the Blues label in 1963, and by the early 1970’s he was putting together the band that would become known as Hi Rhythm, built around the three Hodges brothers, Mabon, Charles and Leroy. The band went on to back every great Hi artist, from Al Green, to Syl Johnson, to Otis Clay, to O. V. Wright, to Ann Peebles.
By any rights, this year’s appearance of Hi Rhythm should have been one of the high points of SXSW, so although I was happy to have an easy time getting into the Stages on Sixth to see it, I was disappointed that the crowd was smaller than I had expected. Nevertheless, musically, the appearance of these Memphis legends with another living Memphis legend, soul singer Percy Wiggins was definitely the high point of MY South By Southwest, and the kind of serendipitous experience that makes me proud to be a Memphian. Percy Wiggins’ voice was in fine form, and it perfectly suited the sound and groove of Hi Rhythm, and Teenie Hodges, who was the subject of a documentary film at this year’s SXSW, was also on stage despite being on oxygen. Two fans were kept on him at all times to keep him cool during the performance. Altogether, it was a triumphant night for Memphis, and a tribute to the lasting vision and spirit of the late Willie Mitchell.

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The Bo-Keys are a living repository of Memphis soul. Unlike many other bands that attempt to recreate the classic sounds of soul, the Bo-Keys involve Memphis soul legends like Howard Grimes, Nokie Taylor and Archie Mitchell, and back soul greats like Percy Wiggins and William Bell. They were the final act at the Stax to the Max Soulsville festival in South Memphis on Saturday, 4/28/12. Learn more about the Bo-Keys here: http://www.thebokeys.com/. Like them on Facebook at: http://www.facebook.com/thebokeys. Follow their Electrophonic label on Twitter @electrophonic. Learn more about the genius behind the Bo-Keys at http://www.scottbomar.com