One of the cooler things about building renovations is that sometimes they uncover pieces of history, such as old plaques or advertising signs. Such was the case with the building being converted into residences next to the Webster Avenue Stage in Memphis’ River Arts Fest. I had been standing beside it for a couple of hours or so, and hadn’t noticed anything about it, but when the afternoon sun hit it a certain way, I could clearly make out an old sign: “Chero-Cola Bottling Company.” What on earth was Chero-Cola, I wondered? As it turns out, Chero-Cola, founded by a grocery store owner in Columbus, Georgia in 1915 was the predecessor to the far better-known Royal Crown Cola, or RC, the beverage that went with a moon pie in the Southern past. The founder was trying to find a replacement for Atlanta-based Coca Cola when the Columbus distributor for the latter refused to give him a volume discount he felt he deserved. Although the first Royal Crown beverages appeared earlier (a ginger ale and a root beer), Chero-Cola (did it perhaps include cherry flavoring in the formula?) first appeared in 1915, and only lasted through about 1921, when a court ruled that the designation “cola” could only be used by Chero-Cola’s famous competitor, Coke. Without being able to designate their signature drink as a cola, sales flagged, and the company was renamed from Chero-Cola to Nehi. By the time it introduced a new cola formula in 1933, the name had been changed again to Royal Crown or RC. A court in 1944 overturned the old 1921 decision, and RC’s became officially “colas” again. But the coolest thing is that the relatively-short time that Chero-Cola existed helps us place the Memphis building in time between the years 1915 and 1921. A really cool discovery indeed!
The final act to appear on the River Arts Fest’s Webster Avenue Stage was Memphis’ only local dub band, the Chinese Connection Dub Embassy, or CCDE. Like 4 Soul, the CCDE has occasionally backed up local rappers, but for the most part, these musicians have chosen the harder path of upholding the banner for dub music and reggae music in a city where these style are not particularly popular. Nevertheless, they are always a crowd-pleaser, whether calling out oppressors on songs like “Tyrant” or spreading the feel-good vibes on their single “Heavy Meditation.” Perhaps the band’s most unique attribute is their ability to see the reggae potential in the most unlikely of songs, such as Norwegian band A-Ha’s “Take Me On.” The Chinese Connection Dub Embassy closed out Saturday’s River Arts Fest on a high note.
Keep up with the Chinese Connection Dub Embassy:
Tyke T was already an up-and-coming Memphis rapper when the local radio station K-97 proclaimed him the “Next Big Thing” after he won a contest they sponsored. Since then, he has been to New York and several other places for concerts, and although he might not be nationally known yet, he is part of a growing movement of Memphis rappers who seem to be more positive, more upbeat and more lyrical. He is also part of a growing local trend to rap with live musicians instead of just recorded tracks or a DJ, and for his performance at the River Arts Festival, he chose one of Memphis’ best up-and-coming bands, 4 Soul to back him, along with live singers, and guest appearances from other Memphis rappers such as Li’l Cam and S.O.U.L. Altogether it was a rap performance that could appeal even to people who don’t usually like rap, and that was probably precisely the point. Tyke’s lyrics avoid the negative tendency of the local artists that lean more to the gangsta style, and the live band gives him an appeal to those whose musical preferences lean toward other genres.
Keep up with Tyke T:
Keep up with 4 Soul:
The Side Street Steppers are a Memphis-based band whose repertoire consists mainly of music from the 1920’s and 1930’s, an era that has largely been forgotten. It is significant that Memphis’ first recording industry occurred during those years, in which record companies from the north rented rooms at the Peabody Hotel and recorded Black bluesmen and gospel choirs, country string bands and hillbilly musicians. This activity in Memphis continued until the Great Depression put a stop to the early independent record labels. Much of this kind of music finds its way into Side Street Steppers shows, and they are both accomplished musicians and fun to hear.
Memphis indie duo Deering and Down wear their Memphis influences on their sleeve. Yet the 13-year-old duo of Lahna Deering and the Rev. Neil Down started not in the Bluff City, but in the unlikely town of Skagway, Alaska, when Deering’s mother introduced her to Rev. Down, who was known in the community as a musician and band-leader. The quick friendship led to an album, a cross-country tour that included a stop in Memphis, and eventually an album recorded at Yellow Brick Studios in Memphis in 2007. Shortly, thereafter, Deering and Down relocated to Memphis, cutting yet another album, 2009’s Out There Somewhere at the legendary Royal Studios, working with Willie and Boo Mitchell, Teenie Hodges and other Memphis musical legends. Memphis music was always part of Down’s musical vision, and Deering and Down pull off the seemingly impossible, reconciling alternative/indie music with soul in a way that doesn’t seem forced or contrived. Given the rise of other soul-inflected indie bands over the last couple of years, it could be truthfully argued that Deering and Down were ahead of their time.
Keep up with Deering and Down:
Given the immense and growing popularity of craft beer and micro brewing, it comes as no surprise that there is also a craft soda movement, but the craft soda movement has been a little more subdued and not as well-known. So when Love Pop Soda Shop opened up a pop-up shop in the vacant lot next to Ernestine and Hazel’s during the River Arts Fest, I was amazed at the selection of craft sodas available, all made with natural ingredients and sweetened with nothing other than pure cane sugar. I was even more amazed when a friendly employee told me that the selection exhibited at the festival was nothing compared to the choices that the permanent store will have when it opens. The Love Pop Soda Shop opens November 22, 2014 at its new digs at 506 South Main, right in the thick of the South Main Arts District, and will definitely be worth a visit.
Keep up with the Love Pop Soda Shop:
For whatever reason, the music at this year’s River Arts Festival seemed oriented toward folk, rock and country, with far less jazz, blues, soul or gospel than previous years’ festivals. But one exception was Clarksdale-based bluesman Terry “Big T” Williams, who played all Saturday afternoon on the festival’s far northern end of Main Street, occasionally accompanied by Latin percussionist Rico Rumba as well. Big T’s repertoire stretches from traditional blues to soul tunes like Rufus Thomas’ “Walking the Dog.” Occasionally, groups of festival goers would stop to listen before heading further down to the art exhibits.
Each October, the River Arts Festival takes over Memphis’ South Main Arts District, the trendy neighborhood south of Beale Street and north of the Central Station train depot. Of course there are plenty of art works and crafts, but there is also a lot more, including three stages of live music, some strolling musicians, and plenty of food and drink.
On the second and fourth Monday each month, the 300 South Main Art Gallery sponsors Wine Down Mondays, an event featuring an opportunity to sample fine wines paired with food offerings, a DJ and live music. This past Monday night, DJ Kojak was providing the recorded sounds, and Memphis drummer Otis Logan’s superb band 4 Soul was providing the live grooves, ably aided and abetted by ubiquitous Memphis trombonist Suavo J, straight from his second-place award in the International Blues Challenge with the Ghost Town Blues Band. The atmosphere was just right for the grown and sexy set eager for something to do on a very cold Monday night after work.
With such a busy weekend, I managed only a brief tour of the last day of the River Arts Fest on Sunday, but it was long enough to catch Will Graves and his band on stage, with my homeboy Jackie Clark on bass. I also managed to get a brief glance at much of the beautiful unique artworks that were being displayed.