William Bell Live With @TheBoKeys at @StaxMuseum @StaxRecords #SoulsvilleStreetFest

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William Bell was one of the first young men from South Memphis to walk over and investigate the Stax Records studios as they were being built in the old Capitol Theatre in South Memphis. Although perhaps never as big a star as Isaac Hayes or Otis Redding, Bell is deserving of acclaim for his success as a songwriter, as a performing artist and as the owner of his own independent record label, Wilbe Records. He generally is the last performer to appear at each year’s Soulsville Street Festival in South Memphis, and frequently performs with the Bo-Keys in various locations. William Bell is truly a living legend of Memphis music.

John Gary Williams and The Mad Lads with @TheBoKeys at @StaxMuseum @StaxRecords

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The Mad Lads were yet another Memphis vocal group with South Memphis ties, and they recorded a number of singles and a handful of albums for Stax Records before lead singer John Gary Williams (who was a member of the Memphis Black Power group known as The Invaders) was arrested and charged with being involved in a sniping incident against the Memphis police in late 1968. Later, Williams launched a solo career, and recorded one very elusive self-titled album just as Stax was falling apart in late 1974. Over the years, Williams has put together a number of reconstituted Mad Lads groups, and is now the subject of a forthcoming documentary called I See Hope: The John Gary Williams Story , which is currently in production. The annual appearance of the Mad Lads at the Stax to the Max festival is a big deal to the largely South Memphis crowd that attends.

The Temprees Live With @TheBoKeys at @StaxMuseum @StaxRecords

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Memphis was an exception to the rule that Black vocal groups were a largely Northern phenomenon, as the city had a number of great Black doo-wop and soul groups from the 1950’s to the 1970’s. One of the city’s favorites was the South Memphis group known as the Temprees, who recorded for the Stax subsidiary label We Produce in the early 1970’s, and who captured a bit of attention with their soulful reading of the rock/pop standard “Dedicated to the One I Love.” As they are South Memphis native sons, their appearance at the Stax to the Max festival stage is always a huge affair. This year the crowd tried to storm the stage and had to be held back by security, and all this despite the fact that they haven’t had a record out since 1976!

@TheBoKeys with Percy Wiggins and @TheeJohnNemeth @JohnNemethMusic at @StaxMuseum @StaxRecords

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Memphis contemporary soul band The Bo-Keys have been actively involved in preserving the unique legacy of Memphis soul music, and are an annual featured act at the Soulsville Street Festival in April. They frequently appear with soul singer Percy Wiggins on vocals, and they began their set at Stax to the Max with him this year before blues singer John Nemeth (who recently cut a new album in Memphis) came on stage to perform some of the songs from his latest release.

Daddy Mack Blues Band Live at the @StaxMuseum Soulsville Street Festival @StaxRecords

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The Memphis-based Daddy Mack Blues Band is one of the city’s best and most highly-acclaimed blues bands. Their traditional roots-oriented style sets them apart from many other Memphis blues bands, and they are immensely popular in Europe. They were the second act of the day to perform at the Stax to the Max Soulsville Street Festival, and they got a lot of love from the enthusiastic crowd. Unfortunately, as they performed, a big plume of black smoke began to rise from a fire off to the north behind the stage. Soon sirens were sounding from every direction, and all of this proved to be an unwelcome distraction from their performance.

Stax to the Max Soulsville Street Festival in South Memphis @StaxMuseum @StaxRecords

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The last Saturday of April in Memphis is always one of the biggest days of the year for festivals and events, including the On Location: Memphis International Film and Music Festival, the Southern Hot Wing Festival, the Vollentine Evergreen Art Walk, and the Stax to the Max Soulsville Street Festival. The latter, which is free, is an annual outdoor party and concert, featuring many of the best living veterans of Stax, usually including William Bell, John Gary Williams and the Mad Lads, the Temprees and the Memphis revivalist band the Bo-Keys. Held on the back parking lot of the Stax Museum and the Stax Academy, crowds can run into the thousands.

Garry Goin Band (@GarryGoin) at the Stax to the Max Festival at the @StaxMuseum

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The hard-working band behind the great Memphis vocal groups at the Stax to the Max Festival on Sunday April 28, 2013 was the Garry Goin Band, who themselves have a new CD out called “Road Trip” which was released to stores on April 16, 2013. The album can be purchased for download at https://itunes.apple.com/us/album/road-trip/id630164793.

The Temprees Bring The Love to South Memphis at the @StaxMuseum

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The Temprees are a vocal group from South Memphis that were originally called the Lovemen, which would later be the title of one of their albums. They were most famous for their version of “Dedicated to the One I Love” which they performed on Sunday April 28, 2013 for the Stax to the Max event. One of the former group members was Larry Dodson, who went on to fame as the lead singer of the Bar-Kays.

Madder Than Ever with the Mad Lads at @StaxMuseum During the Stax to the Max Festival

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Memphis vocal group The Mad Lads were another group of South Memphians, led by John Gary Williams, who recorded a number of singles and albums for the Stax subsidiary Volt Records. Their recording career came to a brief hiatus after John Gary Williams was sentenced to prison for his alleged role in the ambush of a Memphis police officer by the Black militant organization The Invaders. They have occasionally recorded again since the 1970’s, but on Sunday April 28, 2013, they appeared in South Memphis on stage behind the Stax Museum at the Stax to the Max event, performing their biggest hit single.