Over the last couple of years, much concern has been expressed about what some see as the growing commercialism of A3C as a festival, and there is no doubt that major national brands like Red Bull, Reeboks and Heineken have discovered the event, and that there are a lot more mainstream artists being programmed to appear. But all of the corporate involvement is not entirely negative. This year Heineken sponsored a pyramid at the festival area that was a template for a number of graffiti artists to create works of art during the days of the festival. Everyone involved created beautiful and interesting works, including Atlanta’s own Paper Frank, whose birthday party I had inadvertently stumbled into last fall in East Atlanta Village. Perhaps the interest in A3C on the part of larger brands won’t have a negative impact if the companies approach the culture with a degree of respect, as Heineken seemed to do this year.